4×60' for CNN (2025)
Production Company: Candle True Stories
Directed by: Kate Quine
Produced by: Fred Hepburn / James Goldston / Ricardo Pollack / Sheldon Lazarus / Amy Entelis / Lyle Gamm
Editing by: Justin Badger

Twitter: Breaking the Bird is a landmark documentary that embarks on a compelling journey through the birth, evolution and demise of Twitter.

We chart how a bunch of college dropouts and hippy hacktivists came together to create one of the most influential and controversial tech companies of the 21st century.

The documentary weaves together a narrative full of twists and turns, vision, luck, idealism and betrayals via exclusive interviews with key figures and insiders giving viewers an insight into the challenges triumphs, and the darker side of the platform’s vision for free speech.

In a riveting exploration of Twitter’s societal impact, Twitter; Breaking the Bird  chronicles the high-stake challenges that ultimately led to its downfall.

107×60' for BBC One (2016-2025)
Production Company: Dragonfly
Directed by: Bruce Fletcher
Produced by: Simon Ford / Emma Loach / Jo Hughes / Peter Wallis-Tayler / Tom Currie
Editing by: Martin Thompson / Gwyn Jones / Chris Beresford / Chistopher Bird / Jules Cornell / William Ward-Lewis

An unprecedented insight into the London Ambulance Service, from the highly-pressurised control room to the crews on the streets, Ambulance provides an honest 360-degree snapshot of their daily dilemmas and pressures.

*Highest rated BBC documentary film series of 2016-2024*

*BAFTA Award Winner*

“Every so often a fly-on-the-wall documentary comes along that is so powerful it pins its audience to their sofas; Ambulance is one such series.” - Telegraph

50×5/10/15/20/30 Secs for Mother (2017-2024)
Production Company: Sonny
Directed by: Jack Cole

Global TV/Web/Cinema advertising campaign.

12×60' for BBC Two (2024-2025)
Production Company: Label1
Directed by: Tom Bowman / Luke Pavey
Produced by: Jackie Waldock / Gaynor Davies / Sophia Thompson / Jonny Mills / Laura Martin-Robinson / Lucy Rogers

Life-saving operations, difficult dilemmas. Lifting the lid on the heart-rending, hard-headed decisions surgeons must make before tackling the day job of changing people’s lives.

138×60' for Channel 4 (2016-2024)
Production Company: CPL
Directed by: Benjamin Leigh / James Bainbridge / Holly Moy / Benedict Sanderson / Imogen Willcocks
Produced by: Trish Powell / Danielle Lux / Murray Boland / Angie Cox / Emma Parsons
Editing by: Hannah Briere-Edney / Belle Borgeaud / Steve Chan / Alex Archer / Nick Kershaw / Alex Kirkland / Jamie Harris / Miles Green / Jason Porthouse

Ground-breaking experiment aiming to prove whether science can help people fall in love. Three highly compatible couples are chosen from a pool of 1,500 applicants - having been assessed by a panel of experts in the fields of psychology, theology and anthropology - and prepare to enter into a legally binding marriage, despite only having met for the first time on their wedding day.

“Jane Austen would have loved this social experiment“ - The Telegraph

8×60' for BBC Two (2023)
Production Company: Label1
Produced by: Lorraine Charker-Phillips / Anouk Curry / Catey Sexton
Series Editing by: Helen White

Life-changing operations, difficult dilemmas. Lifting the lid on the heart-rending, hard-headed decisions doctors must make before tackling the day job of changing people’s lives.

6×60' for BBC One (2022)
Production Company: Frank Films
Directed by: Jamie Balment / Patrick Flanagan / Charlie Corbett / Iain Robson / Bart Corpe
Series Editor: Mark Rossiter
Produced by: Jess Howe / Vicky Hinners
Editing by: Jack Newton / Ben Hooton

High drama on the high seas. One brutal week following the most dangerous job in Britain - the deep sea fishermen risking their lives, day and night, to bring in the catch

50×60' for BBC Two (2017-2022)
Production Company: Label1
Directed by: Holly Challinor / Daniel Dewsbury / Jack Rampling / Amanda Richardson / Marc Williamson
Produced by: Simon Dickson / Lorraine Charker-Phillips / Helen Littleboy / Tom Currie / Gilly Greenslade / Rhiannon MacDonald / Samantha Williams / Benedict Sanderson / Jackie Waldock / Meghan Just-Truelove / Gayl Paterson
Series Editing by: Graeme McAulay / Sunshine Jackson
Editing by: Sally Hilton / Adam Marangos / Finlay Milne / John McNamee / John McAvoy / Tom Herrington / Samuel R Santana / Dominic Coke / Ian Garvin / Nadeem Khan / Shane McCormack / Richard Buss

*RTS Award Winner*

The award winning series capturing the day-to-day realities that face the NHS in unprecedented times. With an ever-increasing demand on its various services, the programme shows the real-life dilemmas and tough decisions that hospital staff and patients alike have to endure.

"This new six-part series could pass as a top-drawer medical drama" - Daily Telegraph

"More moving than any Hollywood tear-jerker" - The Times

12×60' for Channel 4 (2019-2021)
Production Company: 72 Films
Directed by: Bruce Fletcher
Produced by: Dan Deswbury / David Glover / Mark Raphael
Editing by: Samuel R. Santana / Martin Thompson

Series that captures the work of police, probation, prison, prosecution and parole all coping with difficult cases - managing risk to the public and themselves, with limited resources.

6×60' for BBC One (2020)
Production Company: Dragonfly
Directed by: Daniel Dewsbury
Produced by: Tom Currie / Simon Ford / Simon Kerfoot / Richard Bond
Lead Editing by: Tom Dixon-Spain

The miracle of birth meets cutting-edge medicine at three of Birmingham’s busiest maternity hospitals as parents and staff welcome the arrival of Britain’s next generation.

*RTS Award Winner*

“Strikingly intimate access… clever editing, a touching, deftly made series
The Times

“Tear-jerking drama”
Daily Telegraph

“A celebration of humanity“
Daily Express

“Wonderful and life affirming”
The Sun

“An emotional testimony to the dedication and hard work of the ward’s staff”
The Guardian

“Impossible not to be immersed”
The Sunday Times

“Gripping drama”
The Mail on Sunday

2×60' for BBC Two (2020)
Production Company: Label1
Directed by: Daniel Dewsbury
Produced by: Simon Dickson / Lorraine Charker-Phillips / Jackie Waldock

Filmed inside the NHS from the first day of the lockdown - while we stayed at home, staff on the frontline went to work. Award-winning Hospital follows the human stories behind the headlines, of staff and patients alike, as they grapple with the extraordinary challenge of Covid-19, with access to the Royal Free London, a world leader in the treatment of infectious diseases.

With beds in the hospital rapidly filling with Covid-positive patients, doctors are redeployed and ICU doubles its capacity.

"Likely to become a historical testament" - The Independent

⭐⭐⭐⭐⭐ - The Mail

"An unmissable slice of television - pick of the week" - Sunday Telegraph

"The most important documentary you will see this year" - RadioTimes

1×120' for National Geographic (2019)
Production Company: 72 Films
Directed by: Nick Green
Produced by: Kate Quine / Lily Fletcher / David Glover / Mark Raphael / Simon Finch
Editing by: Samuel R. Santana / Sam Bergson / Maya Hawke

Feature delving into the story of the Assad dynasty. Right at the centre of it are President Bashar and his wife Asma, who met and fell in love in London. Bashar al-Assad trained to be an eye doctor at St Mary's Hospital in Paddington and Asma was a British-born girl from a Syrian family with a career in investment banking. Over a decade ago, they were being welcomed with open arms in Britain. Today, they are entrenched in a brutal war that has led to some of the most horrifying crimes of modern times. Told through rarely seen footage and testimony of those who knew them, worked with them and studied them, the series explores how the couple, who at first were seen as a modernising force, ended up running a regime accused of war crimes.

"Outstanding" - The Observer

"Gripping” - The Telegraph

★★★★★ - The Times

★★★★★ '“essential viewing” - Mail on Sunday

★★★★★ - TV Times

★★★★★ - Daily Mail

★★★★★ - The Guardian

6×60' for BBC One (2018)
Production Company: KEO Films
Directed by: David Crerar
Produced by: Claire Nosworthy / Andrew Palmer / Antonia Lloyd

Claudia Winkleman hosts as Mary Berry, Dan Doherty and Chris Bavin put ten of the nation's best home cooks through their paces.

4x90' for Netflix (2018)
Production Company: 72 Films
Directed by: Barnaby Peel
Produced by: John Douglas / Simon Finch
Editing by: Ben Brown / Sam Santana / Andrea Carnevali

This landmark feature film series follows Trump across five decades as a businessman, developer, media star, and politician.

Nature of Beauty - Philips (2018)
Production Company: Ognivvo
Directed by: Michal Rulka

Global TV/Web/Cinema advertising campaign.

1×60' for BBC Two (2018)
Production Company: 72 Films
Directed by: Chris Durlacher
Produced by: David Glover / Francesca Maudslay / Cate Hall
Editing by: Reva Childs / Tom Thurston-Mathews / Samuel R. Santana

One hundred years after the end of the First World War, this dramatised documentary film uncovers the extraordinary events leading up to the Armistice negotiations, and the repercussions that would ripple across the continent, and throughout the 20th century - sometimes with catastrophic consequences.

"Outstanding" - The Observer

"First rate” - The Telegraph

2' for BBC Two (2017)
Production Company: BBC Earth

From BBC Earth Films, the studio that brought you Earth, comes the sequel - Earth: One Amazing Day, an astonishing journey revealing the awesome power of the natural world. Over the course of one single day, we track the sun from the highest mountains to the remotest islands to exotic jungles. Breakthroughs in filmmaking technology bring you up close with a cast of unforgettable characters. Told with humour, intimacy and a jaw-dropping sense of cinematic splendour, Earth: One Amazing Day highlights how every day is filled with more wonders than you can possibly imagine- until now.

3×60' for BBC Two (2017)
Production Company: 72 Films
Directed by: Chris Durlacher

This is the story of the creation of the first secret service. Elizabeth I - the Virgin Queen, the execution of Mary Queen of Scots, the end of the Tudors and rise of the Stuarts, the union of England and Scotland, the Gunpowder Plot. Behind these iconic stories of a volatile age were two of the most remarkable figures in British history: a father, William Cecil, who plotted the execution of Mary, and his son Robert, who masterminded the end of Elizabeth’s reign and her succession.

"absorbing look at the complicated intrigues in and around Elizabeth I’s court, so dramatic it feels like a 16th-century Homeland" - RadioTimes

1×60' for Channel 4 (2017)
Production Company: The Garden
Directed by: Mark O'Brien
Produced by: Fozia Khan / Sam Ombo / Jenny Midl / Magnus Temple

A woman from a mostly white town uses prosthetics to transform her appearance on a visit to Manchester's Pakistani Muslim community as the city deals with a recent terrorist attack.

5×60' for BBC Two (2016)
Production Company: Twenty Twenty Television
Produced by: Paul Durgan
Editing by: Lorraine Want / Tom Appleby

An innovative social experiment exploring the challenging world of the low wage economy. Job insecurity is a real feature of people’s working lives and the purpose of the series is to reflect that.

3×60' for Channel 4 (2017)
Production Company: The Garden Productions
Directed by: Paddy Wivell
Produced by: Zac Beattie / Fozia Khan / Rhiannon MacDonald / Gussy Sakula-Barry
Editing by: Samuel R. Santana / Charlie McDonald / Dan Lavender / Diane Bernhardt / Paul van Dyck

An intimate look at British Muslim life, with privileged access to Birmingham Central Mosque and the lives of the individuals it serves

3×60' for BBC Two (2016)
Production Company: Wild Pictures
Directed by: Barnaby Peel / Jenny Dames
Produced by: Paul Hamann / Susanne Curran
Editing by: Jules Cornell / Richard Fretwell

A landmark documentary series about divorce and mediation.  Behind closed doors, in more than 500 locations across England and Wales, a network of National Family Mediation (NFM) services are meeting separated couples attempting to resolve their disputes over money, children and property - without a courtroom battle.  With exclusive access to the private world of family mediation, this film series provides a unique insight into an element of modern British family life rarely seen by others.

"Excruciatingly tense, unbearably moving and utterly compelling" - The Times

13×60’ for Channel 4 (2013-2016)
Production Company: Studio Lambert
Directed by: Barnaby Peel / Toby Paton / Tom Pearson / Stuart Froude / Paul Bithrey / Jamie Seal / John Deol / Charlie Slade / Andrea Eisenhart / Harjeet Chhokar / Louis Grover / Peter Strachan
Produced by: Ros Ponder / Jessica Spencer / Sam Grace / Nina Haines / Helen Shearer / Jon Crisp / Sidra Khan
Editing by: Marc Davies / Gwyn Jones / Derek Inglis / Michael McGill / Nick Norton / Drew Hill / Denis McWilliams / Vicky Hart / Charlotte Lacny

How do councils cope with a lack of properties and a surplus of people in need of homes with affordable rent? 

*Broadcast Award Nominated*

"Important, eye-opening TV...the range of stories is surprising and poignant" - The Telegraph

4×60' for Channel 4 (2016)
Production Company: Love Productions
Directed by: Paddy Collins / Afi Khan / Phil Turner / Gavin Whitehead
Produced by: Coco Maclehose / Kieran Smith / Oliver Manley / Kate Middleton
Editing by: Nick Packer / Paula Tann

Exploring the lives and aspirations of new migrants to Britain in Page Hall, Sheffield.  Filmed over 15 months with exceptional access to the different communities living in Page Hall including refugees fleeing war to seek asylum in Britain as they try to start a new life, these intimate films tell the human stories behind the divisive headlines and explore the history behind the area’s terraced streets.

"a surprisingly touching snapshot of immigrant life" - The Telegraph

1×60' for Channel 4 (2015)
Production Company: Ricochet
Directed by: Lisa Poulter
Produced by: Joanna Ball / Chloë Solomon
Editing by: Alex Muggleton / Amanda Baxter

In bedrooms across the country, children are learning about bad sex younger than ever thanks to online porn.  This all means one thing. It’s time to change the way you talk about sex in British classrooms.  Goedele Liekens, a United Nation's goodwill ambassador for sexual health and psychologist specialising in sexuality and relationships spent two weeks giving a comprehensive sex education course to Year 11 pupils at Hollins Technology College in Accrington.  Sex in Class sets out to fix Britain's blushing attitudes (and high teenage pregnancy rate), bring Britain's abysmal sex education up to standard with the rest of western Europe and starts the campaign to establish a GCSE in sex education into the homes and schools of Britain.

“Brilliant” - The Guardian

10×60' for Channel 4 (2014-2015)
Production Company: Love Productions
Directed by: Kevin Hull / Phil Turner / Paddy Collins / Coco Maclehose
Produced by: Kieran Smith / Richard McKerrow / Trish Powell / Gerry Callaghan / Nicholas Head
Editing by: Martin Sage / Ashley Samways / Dan Lavender / Diane Bernhardt / Naomi Bulcock / Tom Dixon-Spain / Charlie McDonald / James Calderwood / Simon Evans / Nic Zimmerman / Nick Packer / Jamie Heath / Hannah Edney-Briere

Channel 4's highest rated programme for over two years, this documentary series reveals the reality of life on benefits as the residents of one of Britain's most benefit-dependent streets invite cameras into their tight-knit community.

*Broadcasting Press Guild Awards Winner*

“Beyond hit TV into the realm of cultural phenomenon” - The RadioTimes

4×60' for BBC Two (2015)
Production Company: Keo Films
Directed by: Stephen Mizelas / David Lawrence / Harjeet Chhokar
Produced by: Paul Durgan / Kate Nixon / Rachel Millar / Steven Mizelas / David Lawrence / Harjeet Chhokar / Matt Cole
Editing by: Lorraine Want / Tom Appleby / Dave Pearson / Hamit Shonpal

In a unique series that brings together the natural history of the secret life of pests with the documentary journey of families trying to get their homes and lives back on track, Keo Films and BBC Two delve deep inside the nations most infested homes.  Using specialist cameras to capture the close-up nightly terror of pest infestations, The Ladykillers applies research and ingenious scientific approaches to do battle with the new wave of Britain's increasingly menacing parasitic intruders.

“Fascinating” - The Telegraph

1×60' for BBC Two (2015)
Production Company: BBC Worldwide
Directed by: Emily Hughes
Produced by: Simon Ford
Editing by: David Howell

The Somerset Levels are one of the most beautiful parts of Britains, but in the winter of 2013 they faced a natural disaster.  One village, Moorland, was entirely engulfed by the floods.  Deluged by water, the villagers watched hopelessly as their lives and homes were washed away.  This film follows their year-long struggle to get home again after the water drained and media attention shifted away.

.5' for The Sound of Change BBC One (2014)
Agency: Mother
Production Company: The Sunshine Company
Lead Creative: John Sunter
Produced by: Marianna Bruynseels

Beyoncé's opening harp arrangement for her performance broadcast live on BBC One for Chime for Change.  Chime for Change, founded by Gucci, presented the first-ever global concert event to bring girls' and women's issues to the world stage.  Millions of people joined in The Sound of Change Live, to promote Education, Health and Justice for girls and women everywhere.

“a perfectly packaged performance” - The Telegraph

9×60' for BBC Two (2012-2014)
Production Company: Century Films
Directed by: Joseph Bullman / Brian Hill / Paul Berczeller / Chris Durlacher / Mary Cranitch / Russell England / Mary Crisp
Produced by: Simon Ford / Katie Bailiff / Jamie Taylor
Editing by: Michael Harrowes / Andrew Willsmore / Henry Wood / Gwyn Jones / Stuart Briggs / Lewis Albrow / Simon Greenwood / Fergal McGrath

In 1886 philanthropist and social researcher Charles Booth embarked on a truly epic project to map the social conditions of every street, every house and every family in the whole of London. It was one of the most comprehensive social surveys ever conducted, and this series updates his work, shedding new light on social mobility in contemporary Britain.  This landmark six part series featuring residents past and present is history in microcosm, told through the stories of six London streets and exploring more than 100 years of radical and unpredictable social change.  Viewers will see what happens when lawyers move out of an area and criminals move in, and when no-go areas become the enclaves of the rich and famous.  Series two travels to Scotland to tell the stories of three archetypal streets in Scotland's three great cities: Edinburgh, Glasgow and Aberdeen. Endlessly surprising and not at all what you would expect, the stories of these streets are the story of a nation.

*Double Grierson Award Winner / RTS Award Winner / BAFTA Nominated*

“a gripping watch throughout” - The Guardian

1×60' for BBC Two (2013)
Production Company: The Garden Productions
Directed by: Chris Durlacher
Produced by: Magnus Temple / Fiona Freed / Flavia Taylor
Editing by: Claire Guillon

Drama-documentary examining the death of banker Thomas Briggs in July 1864, which was the first murder to be committed on a British train.

“Gripping” - The Guardian

2×60' for ITV (2013)
Production Company: NBC Universal / Chocolate Media
Directed by: Louise Wardle
Produced by: Alan Brown
Editing by: Lennaart Van Oldenborgh

The award-winning creator of Downton Abbey takes us on a journey through the extraordinary history, upstairs and downstairs, of his favourite great houses of England.

“if the title of the series had suggested a dry march through history, the reality was different. The result was warm and rich” - The Telegraph

1×60' for Channel 4 (2012)
Production Company: Studio Lambert
Directed by: Barnaby Peel
Produced by: Ros Ponder
Editing by: Marc Davies

Scientists have recently discovered a phenomenon called superior autobiographical memory.  But if we could have an almost endless memory, would we really want it?

“extraordinary viewing” - The Guardian

1×60' for BBC One (2012)
Production Company: BBC Worldwide
Directed by: Jane Treays
Produced by: Nick Mirsky / Andrew Mackenzie-Betty
Editing by: Marc Davies

A remarkable and intimate story following two years in the life of the 18-year-old diver as he prepares to fulfil his lifelong dream of winning gold at the Olympics and juggling the pressures of training with more personal challenges - not least the death last year of his father Rob, who was his constant companion in competitions around the world.  Against the backdrop of a series of incredible challenges, he is fighting to keep his dream of Olympic glory alive.

“An absorbing look at one of Britain’s brightest Olympic hopefuls” - Metro

3×60' for Channel 4 (2012)
Production Company: Fresh One Productions
Directed by: Tom Sheahan
Produced by: Alice Harper / Charlie Clay / David Wise
Editing by: Johnny Wagener

Rare breed pig farmer Jimmy Doherty has a dream to make free range food affordable for everyone. So he's challenged Britain's biggest supermarket, Tesco, to let him prove he can do it, and they've agreed.

*Promax Award Winner*

2×60' for BBC Two (2012)
Production Company: Dragonfly Film and Television
Directed by: Paul Durgan
Produced by: Fiona Campbell / Mark Roberts / Ashley Potterton / Anju Passi
Editing by: Lorraine Want / Tom Appleby

The story of an ambitious experiment of one small town in the north of England, and its attempt to take on the economic might of one of the fastest-growing nations in the world.

“deeply touching and rather important story” - GQ

3×1' for Ogilvy & Mather (2011)
Production Company: Earth London
Directed by: Howard Greenhalgh / Michael Capon
Produced by: Kevin Geeves / James Brook-Partridge / Bryony Evans / Hannah Kerr / Emma Malpass

Latest global ad campaign for Castrol.  Epic high-octane chase between Castrol powered superbike and the fastest land animal, a cheetah.

*Castrol Power 1 Creates Stand Out in Category*

1×60' for Channel 4 (2011)
Production Company: Nutopia
Directed by: James Routh
Produced by: David DeHaney / Kufena Coulter
Editing by: Mark Towns

Throwing a spotlight on what Christmas means in contemporary Britain, King of Christmas Lights finds out what motivates people to cover their houses in Christmas every year.  This heart-warming, quirky and entertaining film offers both an eye-popping spectacle and also an insight into their true motives, relationships under strain from overindulgent merriment, households pitted against their neighbours in a bid to make their decorations outshine all others, and communities united in their desire to light up the night sky.  Are these twinkly-light-enthusiasts the last bastions of community and Christmas spirit?

“a Cutting Edge documentary so joyous and funny, it should be replayed year after year just like Margo cancelling Christmas on The Good Life or Bill Murray being thwacked by a toaster in Scrooged.” - The Guardian

1×60' for Channel 4 (2009)
Production Company: North One Television
Directed by: Shona Thompson
Produced by: John Quinn / Nancy Bornat
Editing by: Marc Davies

In this Cutting Edge film, journalist Rachel Roberts goes in search of the people with whom she once shared a children's home, with only a photo and childhood memories to help her.  Along her journey she meets a long-lost member of her family - who she did not even know existed - and hears stories both of tragedy and hope from former housemates.  Although focusing on Rachel's individual search, The Homecoming casts a wider look at the care system in general - and the long-lasting effects it can have on those caught up in it.

"genuinely moving" - Independent

1×60’ for Channel 4 (2009)
Production Company: Century Films
Directed by: Ashley Gething
Produced by: Katie Bailiff / Jeanette Bell
Editing by: Brand Thumim

One in three of us admit that we wouldn't intervene to protect a stranger.  A 12-year-old girl is beaten and stamped on by a crowd of teenagers on a crowded bus.  A man is punched to the ground and kicked repeatedly in the head in an almost deserted London street.  Gun-wielding robbers threaten a cashier in a petrol station.  Witnesses in five separate incidents are forced to decide - intervene and risk their own safety or disengage and turn away.  Whether they choose the path of a have-a-go-hero or passive bystander, their decisions will stay with them for the rest of their lives.

The first-hand testimonies of those involved are intercut with CCTV footage and dramatic reconstruction, as the stories unfold to reveal the split-second choices that were made.  Whilst some witnesses are seemingly paralysed by fear, others step in.  Some escape unscathed while others pay a heavy price for their courage...

*Grierson Nominated*

"Exceptional film" - The Guardian

1×60' for Channel 4 (2008)
Production Company: Century Films
Directed by: Philippa Robinson
Produced by: Ruth Pitt
Editing by: Marc Davies

A life-affirming film which shifts from the humorous to the intensely moving, following four young mothers-to-be as they deal with some extraordinary trials and tribulations.

*Grierson Nominated*

“extraordinary” - The Guardian

1×60' for BBC Two (2011)
Production Company: BBC Worldwide
Directed by: Jaclyn Parry     
Produced by: Meredith Chambers
Editing by: Christy Hanna  

Like many children who are taken into foster care, Maisie has suffered abuse and neglect almost all her life.  She desperately wants to be adopted, but early experiences have left the 7-year-old with a vast store of anger, confusion, and distrust.  Maisie has had many mother figures in her life – several families wanted to adopt her but found it too difficult and she ended up back in care.  Maisie’s luck changed when she met an extraordinary couple who have already successfully adopted eight extremely troubled children.  With the help of an agency that specialises in counselling the most damaged children, Jim and Sue hope to help Maisie overcome her traumatic past.  This extraordinary and moving film follows their journey over a one-year period, documenting the many obstacles that all three must overcome in their bid to give Maisie a home.

“Heartbreaking” - The Guardian

1×30' for Channel 4 (2010)
Production Company: Century Films
Directed by: Rachel Williams
Produced by: Liesel Evans
Editing by: Marc Davies

The noirish tale of Thanos Papalexis, a former public schoolboy turned flash businessman, who brutally murdered a sitting tenant who stood in the way of a property deal.  This story of ambition, vanity, adultery and murder is revealed from the public schools of London to Florida's millionaire's row in Palm Beach, using central first person testimonies, exclusive access to police-recorded audio interviews with Thanos himself and dramatised reconstructions shot on location in the US and UK, this is a chilling portrait of a murderer and fantasist.

“a (morbidly) fascinating story” - The Guardian

1×60' for Channel 4 / Warner Bros. (2011)
Production Company: Wall to Wall
Directed by: Marcus Sulley  
Produced by: Leanne Klein
Editing by: Pete Benn

Eco-chef Arthur Potts Dawson signs up as rookie trawler-man to discover where the fish we eat comes from. But what begins as a mission to experience our fishing industry first hand turns into an epic test of endurance as Arthur takes to the sea in some of the fiercest waters in Britain.

1×60' for BBC Two (2010)
Production Company: BBC Worldwide
Directed by: Philippa Robinson
Produced by: Nick Mirsky
Editing by: Collette Hodges

For BBC Wonderland.  Over a million cats - half of them stray or abandoned - now prowl the streets of London, and their numbers are soaring.  But - as this year's kitten season finds thousands more cats homeless and unwanted - a small number of women take it upon themselves to rescue, save and shelter the most vulnerable. Among them 70-year-old Pat with her own personal army of cats, and former supermodel Celia Hammond.

“excellent” - Telegraph

1×60' for BBC One (2010)
Production Company: BBC Worldwide
Directed by: Jane Treays
Produced by: Nick Mirsky
Editing by: Marc Davies

An intimate portrait made by award winning film-maker Jane Treays, the film follows Tom during 2010, an exceptionally challenging year for the youngster, as he defends his World, European and British Championship titles and sits nine GCSEs at Plymouth College.  His number one fan, driver and bag carrier is his dad, Rob. The film follows Tom and his dad, dealing with exam pressure, injury and planning ahead for London 2012, where Tom dreams of winning the gold medal in the men's 10m platform.

Rob too is facing a highly personal challenge. Four years ago he was operated on for a brain tumour the size of a grapefruit. The tumour is now growing back, and the film follows Rob as he undergoes scans and tests to determine treatment. "I wonder if I'll make 2012, or see grandchildren. I think, why me?"  As Tom's schedule becomes increasingly hectic - up to six hours diving a day as well as fitting in academic study - Rob tries to plan his year around international competitions and hospital appointments. The film follows Tom as he turns 16, from boy to man, and visits Sheffield, Budapest and Tuscon as he trains to master the world's most difficult dives. No longer a child prodigy, Tom has to compete against 26-year-olds with more strength and experience.

“Tom Daley: the Diver and His Dad deserves top marks” - The Independent

1×101' for Sony Pictures (2009)
Production Company: Bedlam Productions
Directed by: Stuart Hazeldine
Produced by: Gareth Unwin
Editing by: Mark Talbot-Butler

Feature film thriller.  The final candidates for a highly desirable corporate job are locked together in an exam room and given a test so simple and confusing that tension begins to unravel.  Full orchestral score & 5.1 mix at Abbey Road.  Project also included composing movie trailer and giving Q&A session at Leicester Square Odeon theatre discussing the music scoring process upon theatrical release.

*BAFTA Nominated*

“A fascinating battle of wits and hits” - Empire

Production Company: BBC Worldwide
Directed by: Brian Klein / Phil Churchward
Produced by: Andy Wilman
Editing by: Guy Savin / Dan James

The world's most widely watched factual television programme.  350 million views per week in 170 different countries, the multi award winning series has been voted best programme of the decade in a Channel 4-commissioned survey, The Greatest TV Shows of the Noughties.  It is presented by Jeremy Clarkson, Richard Hammond and James May, with special appearances from the tame racing driver, The Stig.

*Emmy / BAFTA / NTA Winner*

“a triumph of the craft of programme making”
-The Sunday Times

4×60' for Channel 4 (2009)
Production Company: Silver River Productions
Directed by: Hugo MacGregor
Produced by: Dan Adamson
Editing by: Tom Dixon-Spain

This landmark series sees the ever popular Kevin McCloud embark on an epic journey around Europe following in the footsteps of the most notorious aristocrats, artists and architects of 17th, 18th and 19th centuries, as he explores the 'Grand Tour'.  Clambering amongst the greatest buildings, ruins and cities in Europe (Paris, Venice, Florence, Rome, Naples, Athens and Istanbul), he will uncover the dark underbelly of the Tour in the shady alleys and drinking dens along its route, and explore the Tour’s lasting legacy.

“This series was scored by a British composer called Matthew Cracknell who succeeded in making music so perfectly aligned with the show's content that without it, the programme would seem incomplete.  He borrows sounds from different periods in music and turns them into themes that carry the documentary from country to country” – Music Without Words

9×60’ for Channel 4 (2008)
Production Company: Dragonfly Film and Television
Directed by: Jonathan Smith
Produced by: Magnus Temple / David Nath / Nick Curwin
Editing by: Ben Brown / Marc Davies

A British family opens its doors to viewers in a major new compelling and distinctive eight-part observational series, documenting universal themes of family life.

*BAFTA Nominated*

“The Family raises the bar for British TV music” - The Times

1×60' for RDF (2008)
Production Company: Tricky Films
Directed by: Ben Gooder
Editing by: Sam Billinge

When actress N’Deaye Ba was diagnosed with the life-threatening disease lupus, she and her mother documented its effects with a video camera.  But the documentary is not just about illness: it also chronicles with unflinching honesty the relationship of mother and daughter as they face the prospect of losing each other.

“a touching film that, three years after N’Deaye’s death, received a standing ovation at BAFTA” - Daily Mail